Friday, July 25, 2008

Gimme! – Basically, we are all Self-Centered

John Hallward, President of Ipsos ASI, a leading advertising research firm, presented excerpts from his latest book Gimme! to Cheil staff at the NJ office on April 29. Ipsos ASI is a leading global advertising research firm, and is part of the worldwide Ipsos Group. Ipsos ASI offers a full range of advertising research solutions to help clients make the best decisions at all stages of the advertising process: advertising development, advertising pre-testing for qualifying advertising, advertising tracking, and brand equity/brand health evaluation. Ipsos ASI has also recently introduced new holistic integrated advertising assessment. The firm focuses on providing advertisers with the insights to help in the development, evaluation, and improvement of their advertising efforts to help them build stronger marketing performance for healthier brands.

John Hallward is the President of Global Product Management at Ipsos ASI.
In his first book, Gimme! The Human Nature of Successful Marketing,
Hallward explores our evolutionary traits to help marketers, brand managers,
public relations professionals, advertising executives, and even
politicians better tap into primary human motivations for greater success.


Hallward argued that much of what and who we are today is the product of evolutionary processes. Human beings, for example, are genetically wired as such to develop social needs, friendships, morals, habits, emotions, short and long-term memories, among other characteristics. Though we are born with the “gimmes,” we are taught to suppress them as we grow in society. But the “gimmes,” as Hallward observes, do not fade away. They are activated, for instance, when we choose a brand: “How will I be perceived if I choose X instead of Y?” or, “What emotional payoffs do I get for choosing X over Y?” An understanding of how human brains work allows us to become better marketers.

Our brain is largely oriented to our vision. We see in our minds. We judge first impressions with our eyes in a split second. Our brain is constantly engaged in creating basic triggers or memory units – associations, visions, mnemonics and metaphors – for easy future retrieval. Try remembering this:

O T T F F S S E N T

It would require quite an effort to lodge this in our brains and be able to retrieve it at a later point. You likely found no relevant meaning, mnemonic, or cue to recall a random array of characters. But try saving it after understanding the pattern behind the characters.

O T T F F S S E N T

1 2 3 4 5 6 7 8 9 10

One Two Three Four Five Six Seven Eight Nine Ten

In our complex environment, we simplify information units as a way to cope with the huge overload of stimuli. The units of memory are burned into our neural networks by several factors such as duration and intensity of stimuli and extent of neural processing. The latter, in turn, is dependent on quantity of rehearsals, simplicity, relevance and quantity of emotions attached to memory. Any one incoming stimulus fires upon tens of thousands of neurons. This creates a lot of brain activity, neural firing, and complexity.


Humans have habits. We follow routines. We like predictability. Following routines lets us forget the details and “reasoning.” Marketers need to disrupt purchase habits in bold ways to engage the brain.


Consumers feel much more than they think. Consumers do not think in a rational, well-reasoned manner. We judge cars by the sound the car door makes. We are influenced by the “new car” smell. Each and every stimulus that we attend to gets tagged with an emotional evaluation (i.e., good/bad). Thus, “rational” is not the opposite of “emotional.” Rather, they are basically two sides of the same coin. Decision making is about evaluating the emotion associated with every memory unit. An understanding of the memory units and the emotions that come into play helps design a communication strategy.


Marketing, then, has two fundamental roles according to Hallward:
1. Get it in: get the right desired associations into the brain, in a rich, intense manner, as a neat “summary memory unit”. 2. Trigger it: get recalled and activate the attitudes at the right time (i.e., the purchase time).

Sanjeev Bhatt

Strategic Research Architect

Cheil USA

Taking Social Media on the Road

Cheil Worldwide and Samsung Nationwide took part in a social media educational program that kicked off on April 30, 2008, at our New Jersey headquarters. As the Interactive Creative Director for Cheil, I felt it was important to educate the clients on the core principles that make up social media, the ‘tools of the trade’ and some best and worst-case scenarios for brands that have embarked into this new territory, or worse, been thrust into it by their own consumers.

I enlisted the help of C.C. Chapman and Steve Coulson of the Advance Guard who helped me kick off the tour.
C.C., a long time podcaster and blogger, and Steve, a creative visionary with a wealth of traditional agency experience, helped lay the groundwork for the presentation. The discussion quickly took shape, revolving around these key issues:

What is social media? How does it work?


How does a brand engage the consumer within the social media space?

Where do we start? How can we adapt as marketers and as a brand in this new space?


The two-hour long session covered everything from blogger outreach and micro-blogging to virtual worlds.
The dialogue within each session varied depending on the business challenges faced by our client’s particular line of business. I expected the clients to be very focused on metrics. I even went so far as to craft a full-blown metrics chart in preparation for the onslaught of raised eyebrows in answer to the question, “What’s the ROI?” Maybe I fell prey to headlines I read about the hesitation of brands to engage the space. Even though there aren’t traditional benchmarks, it’s clear to me that clients understand the value, and more importantly, the need to get started. Instead I learned that their concerns lay not with how to engage in a dialogue with the consumer, but with whom to engage in that dialogue.

Corporations and brands are now faced with the following questions:

Some Tools of the Trade


Blogs: A web site that has regularly updated content. Most have a set theme or topic and/or serve as an online diary, where the topic is based on personal experiences.

Social Networks: Sites where individuals gather to connect and share information. All have the ability to connect/befriend other people and most allow for the sharing, and commenting on of content.

Podcasting: Internet radio that anyone with a computer and a microphone can create. Rich media content that consumers can subscribe to and enjoy on their own schedule, and on their device of choice from anywhere.

Wikis: Web sites in which everyone has the ability to add and edit the content. Self-policing using the theory of the wisdom of crowds, which believes the more people that contribute, the more accurate the information is.

Microblogging: Allows people to send short updates to their community via multiple channels including SMS and instant messaging. Real-time public timeline of messages from people around the world interacting with each other.

Internet Video: We live in an on-demand world now. Consumers want to consume entertainment on their schedule and not anyone else’s. Online video allows social interaction and viewing on the consumers’ schedule rather than someone else’s.

Virtual Worlds: Online communities of like-minded people. Many are not “a game” in that there is not
a goal or mission. Most share the traits of a social network including friend lists, customization and the sharing of content.

Photo Sharing: People can upload their photos for the world to see and comment on. Flickr, the largest and most popular, provides tools for people to upload from their computers and phones.

Gaming: Quickly evolving category with the rise in popularity of casual gaming, branded games and dynamic in-game advertising and Alternative Reality Games (ARGs).

Social Bookmarking: Just like your browser favorites, but these are bookmarks you share with the world. Updatable, taggable and subscribable. Many have voting mechanisms to make popular links gain even more exposure.

Who runs this? PR? Customer Service? The Advertising Agency?

Do I need a new department within my organization?

In an organization with multiple product divisions, is it run at a corporate level? Do I evangelize my product managers? Different companies handle it in different ways. I’m hardly an expert on the topic of successful business models (I’m a creative director, not a CEO), especially in the social media space, where my senior writer, Brian Gield, has often pointed out to me that “there are no experts, only enthusiasts.” Look at how other companies are embracing the space.

Dell’s IdeaStorm website encourages users to talk about Dell – for better or worse – and
takes an
active role in responding. www.dellideastorm.com
Take RichardatDell for example (http://richardatdell.blogspot.com/ and at twitter http://twitter.com/richardatdell). It’s his job to search out comments on the Internet and respond (*waves* at Richard, since I know he’ll be reading this – it’s his job after all). Dell is – or was - a company who needed to clean up their Customer Service act quickly after a Hellish Experience (sorry, bad pun intended). Dell actually now has a VP of community and conversations. Check out Dell’s ‘IdeaStorm’ website where consumers are actually encouraged to complain about Dell products. The company responds to, and updates, the consumers on progress being made to address problems posted by consumers.

The trend, however, seems to be more reactive than proactive. Take Comcast for example, which has now assigned Frank Eliason to be their ‘twitterer’. This is most likely due to another very public lashing their brand took from a blogger (notice the trend here?). I wonder if Frank’s role will expand off twitter and into forums, blogs and social networks. His role on twitter is listed as ‘Comcast Customer Outreach,’ but I question how effective twittering will be. How many of twitter’s approximate one million users are actually Comcast subscribers?

So the answers to the earlier questions? Yes, Yes, Yes, Yes, Yes, Yes and Yes. Anywhere you begin is a good start. Try starting by having customer service or product managers do a tweet scan once a week and respond to some product questions or complaints, or hire someone at a corporate level who’s empowered to talk to individuals within the organization to get answers to questions users post on the web. Or, have your agency do it (gratuitous plug intended). Unless your new ‘VP of Community’ runs around the web berating customers, slapping bloggers with cease and desists, and boasting about how great and perfect their new employer is, you’re already on your way.


Ann Marie Mathis
Interactive Creative Director

Cheil USA

Cheil has the Heart and Passion for a Great Cause

This year, Cheil Worldwide in Irvine, California donated their creative services to help promote awareness for the American Heart Association and their National Go Red Campaign in Orange County, California. Heart disease is the #1 killer of women in the U.S., and each year the American Heart Association continues the fight by raising awareness with the National Go Red Campaign. Companies, organizations and cities across America participated in raising funds and awareness by wearing red and making a donation on National Wear Red Day on Friday, February 1, 2008. With the funds raised, the American Heart Association is able to support ongoing research and education about women and heart disease.


To take the campaign one step further, the local heart association partnered with the Paul Mitchell Hair Salon and College. They offered women and men in Orange County a free opportunity to dye their hair red in celebration and to raise awareness for the day. Cheil created an electronic invitation to promote the event along with posters for use at the Paul Mitchell College. On the day of the event, we managed to color over 500 participants.

In addition to promoting the event, Cheil negotiated free bus shelter posters throughout Orange County to help raise additional awareness for women’s heart disease. We look forward to continuing our partnership with the American Heart Association to help support such an incredibly important cause. Chris Georgieff Account Director Cheil USA

Uncharted Territory: College Sports

Samsung is the official sponsor of the NFL. You can see either Samsung or Sony ads on virtually all televised NFL games. Sharp is the official sponsor of the MLB. There are signs everywhere at MLB stadiums. You can see Sony on the right field wall at Yankee Stadium and Sharp is a part of every large metropolitan team. NBA teams have courtside signage full of major sponsors. HDTV has redefined sports viewing. All manufacturers of flat panel TVs are associated with professional sports—and with good reasons. With all the advertising clutter around professional sports, it makes you wonder: Are there any sports that aren’t cluttered? Hockey is one sport that’s not inundated with ads, but its popularity lacks that of other major professional sports. However, there is one area that is still untouched—college sports. Are college sports popular? If so, why isn’t it cluttered like other professional sports?


According to MRI, there are 41.8 million people who consider themselves “super” fans of college sports. NFL has the strongest followers, with 59.6 million, followed by MLB, 31.6 million. So in terms of avid fans, college sports fans rank second behind only NFL fans. What about the media coverage? Is fan popularity reflected by media coverage? According to Sports Illustrated, a total of 535 articles on college teams appeared in Sports Illustrated during 2007. This is only second to NFL, which had 593 articles in Sports Illustrated (NBA: 308 MLB: 523). Currently, 128 schools participate in Division I football and basketball. These schools enroll about 3.2 million students. However, college sports fans are not all students. Alumni make up the bulk of the 41.8 million super college sports fans. These are college graduates with disposable income. These fans are the consumer base that every consumer electronics manufacturer covets. So we can conclude the popularity of college sports makes it a prime target. Major sponsors for college sports include McDonald’s and Coke. Cell phone carriers Verizon and AT&T were the first ones to sign sponsorship deals and are major advertisers who buy TV spots during college basketball and football games. However, they tend to stay away from sponsorship deals which would include stadium signage as well as rights to associate the brand name with a school. Corporate advertising at college football stadiums is a fraction of what you’ll see at NFL stadiums, even though some college stadiums can hold over 100,000 people, and are usually packed. Keep in mind that college basketball games are televised by ESPN and CBS nationally.


Advertisers tend to go with professional sports, but fail to realize the open opportunities of college sports. The timing couldn’t be better. College football and basketball games are played during the peak sales season. So the logical question is to ask: How come only few advertisers are willing to try college sports sponsorship? I am not really sure. Maybe it’s because there are too many schools. Covering 128 schools which are divided into regionally focused conferences is much more difficult than covering 32 NFL teams. Maybe marketers don’t value college sports as much as professional sports. Whatever the reason, college sports is an opportunity worth exploring. However, it won’t take your competitors long to realize the value of sponsoring relatively inexpensive and uncluttered sports teams with strong fan bases.
Ted Kim Measurement Analytics Strategist Cheil USA

Award Shows Honor Cheil’s Work

Recently, Cheil USA took home sixteen awards at two award shows: The Interactive Advertising Competition (IAC) and the Horizon Interactive Awards (HIA). These are notable achievements that recognize the hard work by all involved. As we all know, you can’t throw a rock without hitting an advertising award show; there are dozens, if not hundreds, of them. What is it about these two shows that distinguish them from the rest?

The answer might be found within the extensive list of interactive award shows initially compiled by Soo Bak and I. With the help of Ann Marie Mathis, Interactive Creative Director, we examined the award shows on the list and whittled down their features into two key ones: the judges and the participants. The shows that ranked high in both categories made the cut.
Founded some years ago, both the IAC and the HIA are relatively new shows. Though they may not have the storied history of the Cannes Lions International Advertising Festival, the IAC and HIA celebrate a field that is also relatively new. These shows, for example, were the first to recognize online creativity at a time when other award shows were still (and still are) focusing primarily on traditional advertising.
The Interactive Advertising Competition, sponsored by the Web Marketing Association, honors both excellence and effectiveness in online advertising. Though other award shows might pay tribute along similar lines, not all feature judges coming from some of the best shops around such as Goodby, Silverstein & Partners, Ogilvy Interactive, Avenue A/Razorfish, dotglu, JWT, and Euro RSCG San Francisco among others.
Equally as impressive is the list of agencies that competed for this year’s IAC honors: Avenue A/Razorfish, AKQA, Atmosphere BBDO, Organic, Critical Mass, Mullen, Wunderman, Agency.com/TBWA, MRM Worldwide, and Arc Worldwide. Even some of Samsung’s competitors, including Sony, LG and HP, had campaigns entered in this competition. Our seven awards earned show that we’re in pretty good company.
Mark Kronenberg, Howard Levenson, Chris Boak, Ann Marie Mathis, Nathaniel Currier, Chris Byrne, Matthew Blackstone and Tom McManus accept the Best of Show award for the P2 Microsite at the 40th Annual New Jersey Awards Show held at the Chart House in Weehawken, NJ.

At the Horizon Interactive Awards, judges included well-respected creative directors and other industry professionals. But what really separated the HIA from other award shows was that the international judging panel also featured end-users. This gave the HIA a unique perspective on creativity.

So what shops (besides us) have proudly won Horizon Interactive Awards?
Let’s name a few: Goodby, Silverstein & Partners, R/GA, Arnold Worldwide, OgilvyOne Worldwide, Critical Mass, IQ Interactive, Agency.com/TBWA, Carat Fusion and RED. Once again, it’s a very impressive list of competitor agencies.
At both shows, the UpStage by Samsung campaign did extraordinarily well. It took home an IAC Gold Award for Best Integrated Ad Campaign in the Telecommunication category and a Gold Award for Best Microsite in the Horizon Interactive Awards.

To see the full list of award winners,
along with their work, please visit: http://ccaworld.com/interactive/portfolio/awards.html
Brian Gield
Senior Copywriter – Interactive Cheil USA

In addition...

On April 9, 2008, Cheil USA announced that its Juke by Samsung website had earned the Official Honoree distinction in the Telecommunications category at the 12th Annual Webby Awards.

Dubbed the “Oscars of the Internet,” the prestigious Webby Awards honors outstanding work that continues to set the standard for the Internet. While over 10,000 entries were submitted, fewer than 15% of them received this honor and were deemed Official Honorees.


At the 40th Annual New Jersey Awards Show on May 29, 2008, in Weehawken, NJ, Cheil USA managed to win, among others, the Best of Show, Best of Interactive, Best of Newspaper, Best of Radio and Best of Television awards for a total of 28 overall, including 14 first place and five second place trophies.


The list includes:

Best of Show - P2 Microsite
Best of Interactive - P2 Microsite

Best of Newspaper - Innovation
Best of Radio - Press Conference

Best of Television - Juke Box Hero



1st Place

Newspaper Advertising, Full Color
Crayon

Newspaper Campaign
Innovation

Out of Home, Pole/Building Banner
CES Trade Show

Out of Home, Outdoor Billboard
Extension or Dimensional
Juke

Interactive Media, Website
Design Consumer
P2 Microsite


Radio, Regional/National Radio Spot
Press
Conference


Consumer Magazine, 4 or more colors

Crayon

Photography, Advertising: Lifestyle/People

Gleam


Word of Mouth Advertising

Juke by Samsung

Television, Regional/National TV Spot
Juke Box Hero

Trade Magazine Advertising,
4 or more colors
Crayon

Photography, Digitally Enhanced
Crayon

Television, Local Spot 30 seconds or less

Seedling

Trade Magazine Campaign
Innovation

Samsung P2 Microsite


2nd Place

Television, Regional National TV Spot
Beyonce meets Beyonce

Interactive Media, Website Design Consumer
UpStage

Interactive Media, Website Advertising
CLX Printer Banner

Trade Show Program
Large Exhibit Booth Display

Word of Mouth

UpStage


3rd Place

Vehicle Graphic Wrap
Juke

Website Design Consumer
Innovation Website

Consumer Magazine Campaign
Innovation

Regional National TV Spot
Game is On

UpStage by Samsung Microsite

Ad Age Agency Report 2008



In the May 5th issue of Advertising Age’s Annual Agency Report for 2008, Cheil Worldwide ranked 16th in the World’s Top 25 Agency Companies and Cheil USA ranked 68th in the Top 100 U.S. Ad Agencies based on revenue.

Notables include: • Cheil Worldwide ranked 16th (15th in 2007) with revenue (worldwide) of $300 million. • Cheil USA ranked 68th (90th in 2007) with revenue of $27 million.